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’Augmented Photography’ is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography.
The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works. It gives practionners and those interested in the contemporary visual regime some tools to position themselves in hyper-connected environments. Ultimately, the aim of this publication is to create a theoretical framework adressing the evolution of the photographers’ status. Over recent years, the standards required to become a professional have become increasingly complex. It is no longer sufficient to master production and diffusion tools. If one wishes to leave a trace, it is important to be able to fasten an understanding of the medium in an informed manner.

Photography --- onderzoek in de kunsten

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SCW --- Museum voor Schone Kunsten, Gent

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Provinciaal Genootschap van Kunsten en Wetenschappen in Noord-Brabant

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Art --- crafts [art genres] --- performance art --- onderzoek in de kunsten

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Under the name Every Conversation Hides Another Conversation, Nico Dockx accurately reported on his research into, in and with the archive of art critic, artist and organizer Louwrien Wijers (1941). In The New Conversations, Dockx investigates, in a constant dialogue with Wijers, how he as an artist can elicit meaning from this rich archive.

This, among other things, is done by organizing events in Antwerp, Berlin, Amsterdam, New York and Hallum, where artists, theorists and art students enter into dialogue about certain notions that crystallized from the archive, such as the 'archive' and the 'economy'. Conversations, performances, the preparation and consumption of meals and informal contacts always went hand in hand in the process. As a result, the material from Wijers' archive was activated and given the opportunity to lead a new life. As with the previous conversations, this defense, described as 'PhD performance', was accompanied by presentations, conversations, performances and informal contacts at the dinner table. All this took place in the iconostasis (Le Gambit) by Yona Friedman.

kunst --- Koninklijke Academie voor Schone Kunsten van Antwerpen --- archivering --- Wijers Louwrien --- archieven --- 7.071 DOCKX --- Dockx Nico --- eenentwintigste eeuw --- onderzoek in de kunsten --- doctoraat in de kunsten --- fonds [collections] --- dialogues --- Art --- Wijers, Louwrien --- Art, Modern. --- Dialogues. --- Research. --- Wijers, Louwrien,